Salisbury Cathedral

Salisbury Cathedral is built in the shape of a cross and work began in April 1220 when the decision was made to move it from Old Sarum. It boasts Britain’s tallest spire standing at 123m tall. Formally the Cathedral Church of the Blessed Virgin Mary, it is an Anglican cathedral in the city of Salisbury, England.

Photo of the cathedral and its 123m tall spire from the water meadows.
View of the cathedral from the north face
The West doors – Above the triple porch is a row of statues of saints with trefoiled canopies. At the sides are additional pairs of lancet windows with quatrefoiled plate tracery and side aisle openings.

I have whetted your appetite with a few WW posts, now to have a look inside this building where there is much to explore. (Note admission to the cathedral and chapter house (where a copy of the Magna Carta is kept) is not free, though access to the cloisters is. If you like there are exclusive tours of the tower, leading you up the 332 steps to the base of the spire. I can think of a couple of bloggers who would be buying tickets for that tour!)

The West doors from the inside. A Consecration Cross, set in a circle, is immediately above the door.
Inside the cathedral

The cathedral is home to the oldest working mechanical clock, built in 1386. The clock has no face and was designed only to strike every hour. The mechanism is driven by falling weights which have to be wound up once a day.

Mechanical clock

The Infinity Font is a beautiful, modern font right in the centre of the nave. It was designed by renowned British water sculptor William Pye and is the only font to have its own water supply and power source, and the only one which is centre stage in a cathedral, rather than tucked away as so many other fonts are.

The Infinity Font complete with flowing water, was installed in 2008.

The water is so still that it looks like a mirror, leading to some incredible reflective photos.

Font reflections

The choir stalls in Salisbury Cathedral are the oldest complete set of choir stalls in England, and are made from oak and date back to 1236: Many of the stalls have misericords, which are foldable shelves for people to rest on, and are beautifully carved. After my telling off at Lincoln cathedral I dare not approach the stalls, it is a shame that the seats are not folded back so the public can view the carvings.

13th century oak stalls are the earliest complete set of choir stalls in England.

The choir stalls have ornately carved ends with angels on tops of the back rows. I think all of them are playing a musical instrument.

There is a wide variety of traditional tombs and memorials, the oldest being that of Bishop Osmund, Bishop of the forerunner to the cathedral at Old Sarum. The unique holes (foramina) in his tomb allowed sick people to reach in and get closer to his body in the belief that this would make them well.

Unusual tomb with holes

Other notables include William Longespée, 3rd Earl of Salisbury (In or before 1167 – 7 March 1226) who was an Anglo-Norman nobleman, primarily remembered for his command of the English forces at the Battle of Damme and for remaining loyal to his half-brother, King John. His nickname “Longespée” is generally taken as a reference to his great physical height and the oversized weapons that he used.

William Longespée, son of Henry II and half brother to King John who signed the Magna Carta.
Sir Richard Mompesson and his third wife Katherine. Sir Richard was a local gentleman and politician, a Member of Parliament. He died in 1627. He had made judicious marriages and enjoyed a comfortable life. His family owned an early version of nearby Mompesson House, which is now a beautiful National Trust property.
A new window dedicated to Prisoners of Conscience was installed in 1980

At the East end of the cathedral behind the altar is a large, blue stained glass window dedicated to Prisoners of Conscience, and a candle wrapped in barbed wire which is kept permanently alight in memory of those who are imprisoned for their beliefs.

The Chapter House

The Chapter House is where meetings were held by the clergy, and was in daily use until the Reformation, when it fell into some disrepair. It has since been restored. It is a polygonal room with high vaulted ceiling supported by a central column, stained glass windows and a frieze of stills from Genesis around the spandrels, some of which were destroyed during the 17th century. The floor is 19th century tiles emulating the original medieval inlaid tiles.

The Chapter House vaulted ceiling

The star attraction of the Chapter House, the Magna Carta is housed in a shrouded tent to protect it from the light. It is one of only four remaining copies, and is the best preserved of them all. Written in 1215 and signed under pressure by King John in a field in Runnymede, it is the foundation of human rights in the Anglo-American legal systems, declaring the rights and liberties held by free men and that the King is not above the law.

Words on Wednesday

Built in 1755 to act as a grand arrival to the Estate, it is listed Grade 1 for its historical importance.

The 18th century Fonthill Arch, the historic entrance to the Fonthill Estate lies only a mile or so off the A303 in Wiltshire. This lodge has been transformed into a characterful holiday cottage, run by the Beckford Arms which is a pub with rooms on the estate. If you look closely you will see a Green Man carved in the archway.

View of The Arch from within the estate

We were staying, not in this lodge, but in a delightful B&B just around the corner. On our first night we walked through this entrance into the Fonthill estate parkland for about a mile (25 mins walk) to the Beckford Arms for a meal.

Through the arch there is a lake on the left, a cricket pitch on the right. You are in a valley with not a single house in view, just trees and sheep and horses and glimpses of the lake.

The tranquil lake on the estate – sadly there is no public access to walk around it.
The Arch – on the way back as the sun was setting.