Last Photo

Brian (aka Bushboy) is running a monthly challenge where he asks you to post the last photo on your SD card.

The rules are simple:
1. Post the last photo on your SD card or last photo on your phone for November.
2. No editing – who cares if it is out of focus, not framed as you would like or the subject matter didn’t cooperate.
3. You don’t have to have any explanations, just the photo will do
4. Create a Pingback to this post or link in the comments
5. Tag “The Last Photo”

My first Persimmon fruit. Apparently there are two types: astringent, often called hachiya persimmon, and non-astringent, or fuyu. I’m not sure what this one is. I guess the firmer one (fuyu) so I peeled it and sliced it and ate it like an apple.

I found this description of the taste of the fruit online: “They have a silky, slippery texture and taste kind of like the fabulous fruity love child of a mango and a roasted sweet pepper, with some cinnamon in the background. They are rich and tangy and sweet, all at the same time.”

It tasted just like a mango to me. But I do like the internal star pattern.

2020 Photo Challenge #48

November’s theme / technique: Black and White Photography

Often overlooked black and white offers so much depth and emotion and has a timeless nature to it. It’s about searching for a new perspective and creating a visual that is better without colour. It’s about expressing emotion not just removing colour. It’s not about shooting objects that lack colour to begin with (i.e. a zebra)

“To see colour is a delight for the eye, but to see in black and white is a delight for the soul” Andri Cauldwell

Colours are great, but can add distraction to a photo. Black and White images lack those colours and allows you to focus on the contrast and patterns that you may not have previously noticed.

    • If the photo lacks definition try adjusting the contrast or using colour filters in your editing software. Yellow will make things appear darker, orange darker still and red the darkest. Green filters can bring out the detail especially in green subjects. Blue filters block red light, making reds darker.
    • The best black and white photographs often have clear ‘blacks’ and ‘whites’ to guide the viewer.
    • Look for light or dark backgrounds for your photo shoot. Then, simply choose a subject with the opposite tone (light subject with a dark background / dark subject with a light background).
    • Silhouettes don’t necessarily have to be shot with perfect backlight if the subject is dark enough and the background is light.
    • Tones – the underlying brightness, darkness, and shades of grey that appear in an image. The tones of your image – whether dark or bright – should harmonise with the character of the subject itself. Dark tones can be moody and dramatic, light tones ethereal and light.

What is important though is the compositionTry using a square format to emphasise the composition especially if there is a distinct pattern formation. When you take a picture in monochrome you may have to make different decisions about how you compose the shot.

“One sees differently with colour photography than black and white… in short visualisation must be modified by the specific nature of the equipment and materials being used” Ansel Adams

You can use Monochrome Mode on your camera, or turn colour photos into black and white with your favourite post-processing application.

This month's final assignment - Try your hand at urban photography. Look for interesting architectural objects or street scenes or even people if you are confident enough. 

Continue reading 2020 Photo Challenge #48

2020 Photo Challenge #47

November’s theme / technique: Black and White Photography

Often overlooked black and white offers so much depth and emotion and has a timeless nature to it. It’s about searching for a new perspective and creating a visual that is better without colour. It’s about expressing emotion not just removing colour. It’s not about shooting objects that lack colour to begin with (i.e. a zebra)

“To see colour is a delight for the eye, but to see in black and white is a delight for the soul” Andri Cauldwell

Colours are great, but can add distraction to a photo. Black and White images lack those colours and allows you to focus on the contrast and patterns that you may not have previously noticed.

    • If the photo lacks definition try adjusting the contrast or using colour filters in your editing software. Yellow will make things appear darker, orange darker still and red the darkest. Green filters can bring out the detail especially in green subjects. Blue filters block red light, making reds darker.
    • The best black and white photographs often have clear ‘blacks’ and ‘whites’ to guide the viewer.
    • Look for light or dark backgrounds for your photo shoot. Then, simply choose a subject with the opposite tone (light subject with a dark background / dark subject with a light background).
    • Silhouettes don’t necessarily have to be shot with perfect backlight if the subject is dark enough and the background is light.
    • Tones – the underlying brightness, darkness, and shades of grey that appear in an image. The tones of your image – whether dark or bright – should harmonise with the character of the subject itself. Dark tones can be moody and dramatic, light tones ethereal and light. (Low-key vs High-key)

What is important though is the composition. Try using a square format to emphasise the composition especially if there is a distinct pattern formation. When you take a picture in monochrome you may have to make different decisions about how you compose the shot.

“One sees differently with colour photography than black and white… in short visualisation must be modified by the specific nature of the equipment and materials being used” Ansel Adams

You can use Monochrome Mode on your camera, or turn colour photos into black and white with your favourite post-processing application.

This week's assignment - Photograph nature in black and white. This can be more challenging as we often associate the natural world with colour, so look for contrasts, shapes, patterns, tones. Experiment with high-key and low-key effects.

Continue reading 2020 Photo Challenge #47

2020 Photo Challenge #46

November’s theme / technique: Black and White Photography

Often overlooked black and white offers so much depth and emotion and has a timeless nature to it. It’s about searching for a new perspective and creating a visual that is better without colour. It’s about expressing emotion not just removing colour. It’s not about shooting objects that lack colour to begin with (i.e. a zebra)

“To see colour is a delight for the eye, but to see in black and white is a delight for the soul” Andri Cauldwell

Colours are great, but can add distraction to a photo. Black and White images lack those colours and allows you to focus on the contrast and patterns that you may not have previously noticed.

    • If the photo lacks definition try adjusting the contrast or using colour filters in your editing software. Yellow will make things appear darker, orange darker still and red the darkest. Green filters can bring out the detail especially in green subjects. Blue filters block red light, making reds darker.
    • The best black and white photographs often have clear ‘blacks’ and ‘whites’ to guide the viewer.
    • Look for light or dark backgrounds for your photo shoot. Then, simply choose a subject with the opposite tone (light subject with a dark background / dark subject with a light background).
    • Silhouettes don’t necessarily have to be shot with perfect backlight if the subject is dark enough and the background is light.
    • Tones – the underlying brightness, darkness, and shades of grey that appear in an image. The tones of your image – whether dark or bright – should harmonise with the character of the subject itself. Dark tones can be moody and dramatic, light tones ethereal and light.

What is important though is the composition. Try using a square format to emphasise the composition especially if there is a distinct pattern formation. When you take a picture in monochrome you may have to make different decisions about how you compose the shot.

“One sees differently with colour photography than black and white… in short visualisation must be modified by the specific nature of the equipment and materials being used” Ansel Adams

You can use Monochrome Mode on your camera, or turn colour photos into black and white with your favourite post-processing application.

This week's assignment - Make sure you have contrasts in your image(s). Clear whites and strong blacks will add impact and create attention.

Continue reading 2020 Photo Challenge #46

2020 Photo Challenge #45

November’s theme / technique: Black and White Photography

Often overlooked black and white offers so much depth and emotion and has a timeless nature to it. It’s about searching for a new perspective and creating a visual that is better without colour. It’s about expressing emotion not just removing colour. It’s not about shooting objects that lack colour to begin with (i.e. a zebra)

“To see colour is a delight for the eye, but to see in black and white is a delight for the soul” Andri Cauldwell

Colours are great, but can add distraction to a photo. Black and White images lack those colours and allows you to focus on the contrast and patterns that you may not have previously noticed.

    • If the photo lacks definition try adjusting the contrast or using colour filters in your editing software. Yellow will make things appear darker, orange darker still and red the darkest. Green filters can bring out the detail especially in green subjects. Blue filters block red light, making reds darker.
    • The best black and white photographs often have clear ‘blacks’ and ‘whites’ to guide the viewer.
    • Look for light or dark backgrounds for your photo shoot. Then, simply choose a subject with the opposite tone (light subject with a dark background / dark subject with a light background).
    • Silhouettes don’t necessarily have to be shot with perfect backlight if the subject is dark enough and the background is light.
    • Tones – the underlying brightness, darkness, and shades of grey that appear in an image. The tones of your image – whether dark or bright – should harmonise with the character of the subject itself. Dark tones can be moody and dramatic, light tones ethereal and light.

What is important though is the composition. Try using a square format to emphasise the composition especially if there is a distinct pattern formation. When you take a picture in monochrome you may have to make different decisions about how you compose the shot.

“One sees differently with colour photography than black and white… in short visualisation must be modified by the specific nature of the equipment and materials being used” Ansel Adams

You can use Monochrome Mode on your camera, or turn colour photos into black and white with your favourite post-processing application.

This week's assignment - Look for shadows and textures. Carefully choose your images so that you can angle the light to create a sense of depth with the shadows.

Continue reading 2020 Photo Challenge #45